{"id":16374,"date":"2024-09-21T19:25:38","date_gmt":"2024-09-21T17:25:38","guid":{"rendered":"https:\/\/redheadwithabrain.ch\/?p=16374"},"modified":"2025-01-15T13:29:56","modified_gmt":"2025-01-15T12:29:56","slug":"giardini-stranieri-ovunque-biennale-darte-venezia-2024","status":"publish","type":"post","link":"https:\/\/redheadwithabrain.ch\/index.php\/2024\/09\/21\/giardini-stranieri-ovunque-biennale-darte-venezia-2024\/","title":{"rendered":"Giardini &#8211; Stranieri Ovunque &#8211; Biennale d&#8217;Arte &#8211; Venezia (2024)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Une journ\u00e9e aux Giardini pour admirer les pavillons des diff\u00e9rents pays. Des d\u00e9couvertes incroyables, trop pour \u00eatre pr\u00e9sent\u00e9es toutes ici. Le pavillon suisse \u00e9tait assez particulier avec l&#8217;exposition de l&#8217;artiste helv\u00e9tico-br\u00e9silien Guerreiro do Divino Amor, qui pr\u00e9sentait des sc\u00e8nes autour d&#8217;un statue d&#8217;un \u00eatre humain non genr\u00e9 avec six seins. Le pavillon cor\u00e9en, cr\u00e9\u00e9 par Koo Jeong A et appel\u00e9 Odorama Cities, une \u0153uvre visant \u00e0 dresser un portrait olfactif de la p\u00e9ninsule cor\u00e9enne \u00e0 travers des interviews de Cor\u00e9ens et de non-Cor\u00e9ens, \u00e9tait surprenant. Puis le pavillon britannique \u00e9tait magnifique, mon pr\u00e9f\u00e9r\u00e9, il aurait fallu retourner le voir, juste lui tout seul. Constitu\u00e9 de huit tableaux avec des vid\u00e9os, il abordait principalement les th\u00e8mes de l&#8217;\u00e9cologie, de l&#8217;\u00e9galit\u00e9 des peuples et de l&#8217;identit\u00e9. Une \u0153uvre de John Akomfrah. Le pavillon allemand \u00e9tait aussi bluffant, avec une histoire racont\u00e9e dans plusieurs salles, des extra-terrestres, un vaisseau spatial, une vieille base d\u00e9saffect\u00e9e, tout un jeu autour des fronti\u00e8res et des seuils dans un monde incertain. Deux autres pavillons remplis de perles : le pavillon canadien avec Kapwani Kimanga et le pavillon des \u00c9tats-Unis avec Jeffrey Gibson. Nous avons cal\u00e9 vers la fin \u00e0 la visite du pavillon central et des trois denriers pays (NL, BE, ES). Il nous faudra un jour de plus dans deux ans.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>&#8220;Listening All Night To The Rain draws on the life and legacy of American conservationist Rachel Carson (1907-64), notably her groundbreaking expos\u00e9 from 1962: Silent Spring, where she warns of the unseen horrors of pesticides like DDT (dichlorodiphenyltrichloroethane) on human, animal and plant life. Advocating against the spread of misinformation fuelled by corporate interests and state complacency, her work ignited the modern environmental movement, but not without significant public backlash that questioned her credentials as a female academic. Carson\u2019s work resonates with Akomfrah\u2019s evocative filmography in its exploration of political complicity in the face of ecological devastation. Much like Carson\u2019s call to listen to the silenced voices of nature, Akomfrah reveals patterns in history and implores his audience to attune ourselves to messages from the past in order to understand the implications for our planet\u2019s future.&#8221;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une journ\u00e9e aux Giardini pour admirer les pavillons des diff\u00e9rents pays. Des d\u00e9couvertes incroyables, trop pour \u00eatre pr\u00e9sent\u00e9es toutes ici. Le pavillon suisse \u00e9tait assez particulier avec l&#8217;exposition de l&#8217;artiste helv\u00e9tico-br\u00e9silien Guerreiro do Divino Amor, qui pr\u00e9sentait des sc\u00e8nes autour d&#8217;un statue d&#8217;un \u00eatre humain non genr\u00e9 avec six seins. Le pavillon cor\u00e9en, cr\u00e9\u00e9 par [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16421,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[117],"tags":[37,67,51],"class_list":["post-16374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","tag-bliss","tag-creativity","tag-identity"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/redheadwithabrain.ch\/wp-content\/uploads\/2024\/09\/PXL_20240921_133123044.MP2_-scaled.jpg?fit=2560%2C1928&ssl=1","_links":{"self":[{"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/posts\/16374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/comments?post=16374"}],"version-history":[{"count":3,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/posts\/16374\/revisions"}],"predecessor-version":[{"id":17808,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/posts\/16374\/revisions\/17808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/media\/16421"}],"wp:attachment":[{"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/media?parent=16374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/categories?post=16374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redheadwithabrain.ch\/index.php\/wp-json\/wp\/v2\/tags?post=16374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}